And then there were 14: the Ballot of 2025

Today, the Rock And Roll Hall Of Fame announced their ballot for the Class Of 2025.  There are fourteen nominees, which is a little on the smaller side, but not too small, well within the statistical standard deviation of the past decade or so.  So far, I've only heard two podcast episodes about this ballot, and awaiting at least one more.  In a weird way, I feel a little underwhelmed by what's on the plate here.  There's a lot of good stuff.  Once again, it's a ballot where I don't really take exception to any single nominee, but that the sum of its parts doesn't exactly look like the mighty Megazord.  But there's really nothing wrong with the nominees themselves, except my own lack of familiarity with most of their discographies at large.  That's something I will rectify over the next several weeks and will hopefully have a better understanding of what a good class we could potentially have.  

Starting first with the fact that I correctly predicted six names, and even that deserves an asterisk.  I also predicted eighteen nominees, so when you do the math to figure out the proportions, you could argue that I should only be credited with 4.67 correct names predicted.  Or not.  This isn't a math class.  I've got six names on the board, but it's kind of telling that the furthest left-field pick of mine to make it is Bad Company.  It means I'm really bad at guessing where new ground will be broken.  Really though, I'm more relieved than excited at their nomination.  If they get in, it means we can finally stop hearing about Paul Rodgers needing category treatment or just about this band being a huge snub.  Nothing will ever mollify the classic rock crowd until every artist that was ever played in the format has been inducted, but at least this is one that makes sense to put up for nomination.  Seriously, I'm already seeing whining about Mariah's nomination, as she's "not rock," also complaining about Whitney Houston's induction in 2020.  I--I just... ugh.  The groundhog came out and saw its shadow, which means six more years of bellyaching about R&B and hip-hop being considered rock.  That said, I'm excited for Mariah Carey to be back, even though I didn't predict her but almost did, as it hopefully means she was on the bubble last year, or at least near it.  

Speaking of hip-hop, I did predict Outkast and am breathing a sigh of relief.  Top flight artistry, it's ridiculous they had to wait, but I refuse to be mad about it.  They're on the ballot, and I love it.  The rest of my correct predictions I'm not as personally thrilled about.  Billy Idol is an artist that was ruined for me during my radio days, partially by drunken or literally mentally handicapped callers, and partially by the fact that the songs of his we played tended to be "long" for me, which in this case meant over four minutes.  Oasis is a band that last year, I said I could enjoy in small doses, but that binging them made me sick of them.  We'll see if I still feel that way this time around.  Cyndi Lauper is an artist I like, and even enjoyed playing her songs when I worked in radio, but not one whose music I'm in love with necessarily.  Much the same can be said about the return of the White Stripes, though I really did discover a lot of great music that I appreciate.  But they too are a band that I don't get the whim to throw on randomly.

In fact, the only artist on this ballot whose music I'm a huge fan of and even had in my CD collection prior to them even being on the "Previously Considered" list (other than Outkast) is Chubby Checker.  I love his music, I'm excited by his nomination, and I love what his nomination potentially could represent.  There's a lot more than meets the ear upon first listen.  I really hope people take the time to explore his music further.  Yes, he did get stuck in that "American Bandstand dancing music" niche, but I do think that small pond is big enough to warrant enshrining this big fish for it, especially given the epoch of the rock era it looms large in.  But I'm meandering.  Speaking of meandering and big fish, nearly on the opposite end of the spectrum is jam band Phish, whose music I'm honestly not familiar with at all.  I'm not opposed to jam bands being enshrined, but if my experience in exploring Phish's catalog runs a parallel course to my first deep dive into the Dave Matthews Band back in 2019 for the Class Of 2020, I'm bracing myself to be simultaneously bored and irritated.  Hopefully not though, but being from farm country, being the fourth of five children in a middle class family whose parents taught that thrill-seeking and pleasure is not the end-all-be-all in life, live music experiences were always viewed as a luxury at best and a frivolity at worst; I will literally be fighting my nurturing environment to make space to appreciate what Phish represents.

But they probably won't be the toughest act on the ballot for me to relate to.  Seeing as I don't speak Spanish, that honor will probably go to Mana, starting with the fact that I want to same the name twice to get that Muppets song stuck in your head, because I'm still five years old sometimes.  Also, I'm too lazy to pull up the special character that is the letter "a" with the accentuation mark over it to spell it technically correctly.  But don't worry, I also won't be doing that for Husker Du or Queensryche either.  Deal with it.  But if music is a universal language, then maybe I'll enjoy the melodies without necessarily understanding the lyrics, much in the same way "Macarena" took over the USA in the mid-'90s.  But this is a curious nomination, and I have two conspiracy theories about their nomination, probably neither of them are true.  One is a woke hypothesis, and the other is cynical.  One suggests that the NomComm put a band from Mexico on the ballot in protest Trump's renaming the Gulf Of Mexico, and also to piss off the MAGA faithful.  The other hypothesis is that this is bait to drive up traffic from the primarily Spanish-speaking world to the Rock And Roll Hall Of Fame's website to drive up the numbers in the fan vote for them, much in the way the website's traffic boomed when African people flocked to the website to vote for Fela Kuti on his first nomination, thinking that 110,000 votes on the fan vote equaled 110,000 votes in the tallying office, instead of just being the one fan vote that it actually was.  It might be that this is just bait to drive up those clicks to the website to make them seem bigger and more relevant.  Again, the truth is probably neither of those scenarios, but it's sometimes fun to harmlessly stir up irrelevant shit.

Moving on from there, we also have a nomination for Joe Cocker, a name that many in the hobbyist community have been crying out for for a long time.  Chubby Checker famously said he wants his flowers while he's still alive, but in Cocker's case, there's nothing wrong with placing some fresh ones on his grave, to let the world know he's still a beloved figure.  We also have a nomination for the Black Crowes, a band I'm currently not stoked about, but also admit that I only know the one song by them, a song that I think is okay.  Definitely one I'll need to research, but I'm willing to do it.  We also have a return of Joy Division/New Order to the ballot.  Last time they were nominated, I did what I thought was a fair amount of work in listening to their catalogs, trying to find the evolutionary missing link that made the transition between the eras that each name represented more seamless.  I don't think I found it last time.  I hope I'll find it this time.  Maybe it doesn't exist.  Maybe Ian Curtis was so singularly in control of the creative process that when the others had to move on without him and bring Gillian Gilbert aboard, it was inevitable that the New Order releases would sound vastly different.  

The last nominee is the most nominated artist on the ballot, this being the third time, and it is Soundgarden.  This is going to be an interesting one for me to watch for a particular reason.  And if you want to know what that reason is, become a Patreon subscriber for "Who Cares About The Rock Hall?" and check out the exclusive episode that I did as part of the listener takeover series.  Hint: I'm mildly bummed at Phil Collins not being nominated as a solo artist on this ballot.

So there we have it, a brief rundown of the nominees for this year's class.  And like Joe & Kristen, and also Mary & Eric have noted, this is a very homogeneous ballot.  There may be some stylistic diversity, but in terms of demographics and representation... yikes.  But as someone who has taken part in parliamentary procedures, I can also attest that when individuals and individual interests all coalesce to collectively fight for those individual interests, it's often a natural result that the needle is not greatly moved, if at all.  Hopefully, we'll get some balancing out in the categories.  But until then, I hope you all avail yourselves of the chance to research the nominees too. Enjoy the tunes.

Predicting the 2025 Ballot

 Time to play some parlor games.  Time to predict the ballot for the Class Of 2025 for the Rock And Roll Hall Of Fame.

To be honest, I really debate posting this at all.  I really don't see myself having any unique bent on how the ballot will shape up that hasn't already been shared by other bloggers including Tom Lane and Michelle Bourg, or by others on Facebook, or on the Rock In Retrospect episode drafting this class.  Also, big shout out to both the Hall Watchers podcast and Michelle Bourg for their commentary on the shadier side of this past ceremony.  I was mostly zeroed on trying to understand their rationale, but not actually concluding whether or not that point of view is justifiable or valid.  I failed tremendously on that front, whereas Eric, Mary, and Michelle came through.  I cared more about actually acknowledging the symbolism, and also saying how awful some of the performances sounded and maybe why.  That's really on me.  

Either way, this post feels like one of those cooking competition shows, where we're all trying to make the tastiest dishes, even though we're all being forced to use mostly the same ingredients.  So here is my presentation of Turducken Flambe.  And in my defense, the recipe said to first "clean the birds," and the oven I was using had a "clean" button on it.  Shut up, that's why.

First, let's recognize those who played ball with the Hall.  That absolute shill of a segment of the ceremony advertising the museum has to mean a return to the ballot for Cyndi Lauper.  Not just the segment itself, but the very fact that it made it to the ABC broadcast of the ceremony.  We can't show Tom Morello's speech for the MC5 or give any dignity to Suzanne DePasse's induction on ABC, but we have to have this commercial... sorry, promotion.  If it's relatively in-house, it's a promotion.  But given how much of DePasse's career was in television and especially music-based television specials, her segment being clipped out entirely feels somewhat ironic.  

Also playing ball was Billy Idol, performing a very British version of "No More Tears" during the Ozzy Osbourne segment.  And despite the lack of heavy hitters from the Golden Age of MTV in this past class, I think there'll be at least two.  The tribute to A Tribe Called Quest offered at least two eligible and feasible possibilities.  But unfortunately, I don't see Queen Latifah getting nominated for two reasons: one, the Hall still has a problem with recognizing induction-worthy women in many aspects of the rock and roll diaspora; two, the other possibility has at least been Previously Considered, and she hasn't.  That other possibility is De La Soul, who is more similar to A Tribe Called Quest in style and approach.  I'm predicting them to make the ballot, but a lot of depends on how well Eric B. & Rakim fared on this past ballot.  

On the tails of A Tribe Called Quest though, we also may see Outkast finally get nominated, and since the NomComm has no problem putting two hip-hop acts on the ballot, I think we could see those two together.  The fact that both members have been part of the past couple ceremonies, one way or another, doesn't hurt either, as Andre 3000 was in a video package this last time.  Speaking of '90s acts that have been involved in video packages, I have to confess my befuddlement regarding the hold up in nominating No Doubt to the ballot.  This one may be my Iron Maiden or Devo, where I keep predicting them every year until they finally make it.  They might be a little lower in the order of consideration for various members of the committee, but I have to imagine that if they were actually submitted, there'd be some nodding along by others in the room as a distinct possibility of getting supported.    And speaking of Iron Maiden and Devo, there's always a chance that one of those two could show up, even though the hobbyist community has widely agreed that neither one of them is getting in via the ballot.

Looking at the list of newly eligible artists, there are several that I think have a shot at getting inducted: P!nk, Nelly, Linkin Park, Joe Bonamassa, Gorillaz, and maybe Regina Spektor.  Ryan Adams might have been feasible if he hadn't gotten canceled.  But none of those are going to be high priority.  Nelly might have been if Tribe could've gotten in on their first nomination.  P!nk has played ball with the Hall, but I think she'll still have to wait.  Joe Bonamassa is a blues legend already, but this isn't the NomComm or voting body that held the door wide open for Buddy Guy or Albert King.  Of all those, the one with the best chance of getting on this year would be Gorillaz, but they might be a little too indie, and also too kitschy with their whole avatars shtick.  So dialing back over some acts that recently became eligible, I'll opt to predict Coldplay to get their first nomination, and also for the White Stripes to return.

Combing back over the recently passed over nominees, I'll select a return for the likes of Warren Zevon and Oasis.  The optics are better for the latter, and the former fills a singer-songwriter spot that is hit or miss for nominations.   And if this class taught us anything, it's that the only way the lanes will be crowded for classic rock artists is if you have more of them than a person can vote for.  I don't think there'll be eight of them, but Zevon already has one of those spots, and you can never rule out Thin Lizzy returning to the ballot, and I think that it really is a matter of time for Bad Company to be nominated.

But with all the names I've put in bold so far, I have almost no women.  Cyndi, plus the Gwen-fronted band, and the Meg-backed duo.  That's it.  Even the Hall isn't that pitiful, at least not anymore.  So, let's include The Pointer Sisters, because they're a logical successor to Kool And The Gang, and the demand is really getting to echo chamber levels at this point.  With Sheryl Crow on the Nominating Committee now, there's a chance she could get Melissa Etheridge on the ballot, though I'm less sure of her chances of getting in.  And even though the Hall is almost a year late to the party, that also tends to be par for the course for them, so I think there's every possibility that Tracy Chapman gets put on as well, even if the moment has passed.  Lastly, with two women and LGBTQ+ representation, plus just so much fun to listen to, I'm gonna say Joe Kwaczala will go two for two with The B-52's getting nominated.  And since I have yet to have picked anyone that hasn't already been predicted or drafted, I'll go all the way to eighteen names and go somewhat left field with Huey Lewis And The News.  Huey's health decline is also well-known, they're part of that golden age of MTV, and are pretty much Disney approved; so, let's make them a left field pick, even if it is only shallow left field.

And with those eighteen names, I'm gonna put a bow on my predictions and present it to the critics, and wait to see what actually comes out in February.  There are a lot of excellent names that there could have been, but this isn't like the Hall in 1986 or 1987 with nearly thirty-ish names.  That's what I'll go with, and that's how silly I"ll look when I get maybe only four names correct.  Until then, we wait.

Eine kleine Fanfic 4: Obliteration

 That's right, Chris and Josh, I named a season (year) of something "Obliteration," because it's a cool title!

Okay, so since that line crosses two sections of my personal interests, almost literally no one will get that joke.  And that's fine; it's one for me.  Anyway, it's a quick turnaround from revealing the previous list, and to be honest, I wasn't sure I would keep posting them.  In the previous entry, I said there were a couple reasons, but I only gave one: that "Playlist Wars" was officially done.  Another reason is that I didn't love the 2023 playlist, at least not as much as I loved the previous two.  I think it's because I'm trying my hand more and more at this whole "curation" thing, where I try to make it seem as naturally flowing as possible, with as few hard pivots as possible.  Unfortunately, that leads to halves being more themed, but the halves themselves feel like opposite sides of the coin rather than layers of a culinary masterpiece.  I ended up doing that again with this year's list, because this class kind of felt like a two-sided balance as well.  I think next year, I may just avoid the curation thing altogether and go with what feels like it shouldn't work but ends up working, like following Foo Fighters with Gil Scott-Heron.  

Which brings us to this year, and even though this has been the case for the past few years, what's really noticeable is the use of the categories to induct artists that could have been Performer inductees.  Even Alexis Korner was "Previously Considered" to be nominated, as part of his Blues Incorporated group.  Aside from the two Motown people, all the inductees were recording artists that could have been Performer inductees, even Big Mama Thornton, considering John Lee Hooker and Ruth Brown are Performer inductees.  So how do we pick this apart?  Well, obviously, the eight who got in via the ballot must be included, per my rules, but this class had ten nominees, either from this ballot or past ones, that were inducted.  Ten, the magic number.  No hints of mystery to this one really.  The artists present themselves naturally.  So, let's competitively celebrate this class.  Ding ding.

Track 01: "Crazy Train" by Ozzy Osbourne

So, yes, this was the "Honorable Mention" candidate from the 2021 list for Randy Rhoads, but on "Playlist Wars," from one episode to another, songs got reused a fair bit.  So, a Metallica song could be on the Metallica episode as well as the episode dedicated to road trip playlists.  No rule against reusing songs, so in that vein, I'm bringing this one back.  There were a few songs that really could have kicked this one off, but I just couldn't resist getting things started with that iconic "All aboard!  Hahahahahaha!"  It's iconic, gets everyone's attention, and starts the party in spectacular fashion.  So, here's to reusing songs now and maybe later, depending on who gets inducted in the future.

Track 02:  "I Did It" by the Dave Matthews Band

First off, apologies to all the Firedancers or Daveheads, or whatever they call themselves.  Apologies to the Warehouse.  I understand this particular track is among the least favorite for the diehard fans.  Supposedly, this is basically the Dave Matthews Band's song for people who don't like the Dave Matthews Band.  Admittedly, that is me, and this is one of the more palatable ones for my taste.  But that's not the reason I chose it.  Of all the "traditional rock" acts in this class, this is the one whose overall sound blends in the least with the other said acts.  But this track isn't a complete sore thumb.  It's a little more rhythmic in places, but the overall style of guitars for "I Did It" is more similar to that of Foreigner and Ozzy, and I believe this flows out of "Crazy Train" relatively smoothly, as both give off a vibe of "Something ain't right, and that's what's right about it," whereas the former's protagonist is a little off mentally and the latter's protagonist is a little off relationally, possibly socially, maybe even legally.  So, with that explanation, I hope the fanbase will graciously understand my choosing this song for the first follow-up slot, because I sure as shit wasn't using "Ants Marching"... I don't need that earworm stuck in my head for three and a half weeks again.

Track 03:  "I Can Only Give You Everything" by the MC5

The most nominated act in this year's class, and the only nominated act to not get a performance of any kind at the ceremony.  And a track that wasn't on any of their original albums.  This is a track from the vault and was released in the '80s.  Because this is one of the more obscure songs from this obscure band, it's an odder choice to fit into this playlist, but it does have a nice rhythm to it, almost to the point of being a groove.  It's a little on the brash side, which is part of what lends itself well to lead out of "I Did It."  The hard ending with the guitar sting gives a sense of finality and closure, which helps allow for the playlist to pivot after it, which in this case proves to be useful.

Track 04:  "Hot Blooded" by Foreigner

Up until two days ago of my writing this, Foreigner was track five with "Feels Like The First Time" and what is now the fifth song was here.  But I had a change of heart, feeling like the pivot wasn't necessary  Apologies to Kristen, using the song that is the soundtrack to a catcall, but at least there's some lyrics about it needing to feel alright, and leaving the ball in her court by offering her a key.  Okay, that's weak.  I was looking for something, but even that's cringe.  But the song is so darn catchy, and it follows the MC5 selection pretty well, both being about bold and bawdy men trying to attract women, which admittedly could be any number of classic rock songs.  But with the heavy guitar sounds, it leads out of the MC5.  And yet, the higher guitar line has a traveling smoothness to it that allows for a more melodic song to follow it up.  A last-minute switch, I feel this one works well in this slot.

Track 05:  "Baby (Somethin's Happening)" by Peter Frampton

To date, I don't believe I've used a live track; it's all been studio recordings.  That trend continues here, but if there were to be an artist where that trend would be bucked, this would be that artist.  But since Peter performed this when he was inducted, I felt a slight sense of amusement at finding a way to work this song into the playlist.  That subtle sound that I described as "traveling" in the previous selection continues on this song, with the help of some piano.  Not a lot else to say about this song.  The fading at the end kind of wraps up the first half pretty well, the post-British Invasion connotation of rock driving this half.

Track 06:  "Hollywood Swinging" by Kool And The Gang

But now we need to switch it up a bit.  I wanted to save Kool And The Gang for Track 07, but if we're pivoting and making a clean break, this song announces that change in direction brilliantly with its fanfare right from the jump.  It brings back the raucous party, but takes it in a smoother direction.  One of the all-time classics by this band, there's not much to say that hasn't been said.  But in addition to simply having a nasty, funky groove, for the purposes of this playlist, it's a hidden asset the way this song dissolves at the end as it does.  It has that lingering effect that maybe we don't want the party to end, and we're hanging out to try to keep it going, kind of like a Midwestern goodbye.  So slap your lap and say, "Welp," because it's gonna be a spell before we actually wrap things up here.

Track 07:  "Electric Relaxation" by A Tribe Called Quest

Slipping in the seven slot is the inductee that was the most difficult to choose a song for and curate a spot.  But I decided that the dissolving crowd feel at the end of the previous track works as a good segue to the main pulsating sample of this song.  One of the songs that was a hit for the group, but wasn't a part of the tribute performance at the induction ceremony, this mellower track serves as a bridge for what's coming.  Admittedly, this is a song that isn't going to get stuck in my head, but it helps set the mood or change the mood.  One of the really underrated parts of this song is the way Phife Dawg adapts to the samples.  The more hype rapper manages to find the pocket where his flow can still elevate the song.  

Track 08:  "Not Gon' Cry" by Mary J. Blige

Not as easy as a transition, but we now go from hip-hop to hip-hop-soul.  And this one definitely focuses more on the soul aspect, but there's a solid beat behind that story of sadness that Mary sings about.  It's time we got things slowed down and bring a little dramatic flair to it.  This song is strangely catchy in a way that isn't so obvious the way a song like "Family Affair" is.  But it's absolutely catchy, and eventually, even the stoniest grinch is swaying back and forth and sympathizing with the other woman that Mary's character is in this tune.  People kind of forget about that part, but it doesn't diminish the humanity.  In fact, Mary's singing enhances it.  But it's also a stark reminder that once you've done something wrong, setting things back to right is almost certainly also going to involve someone getting hurt.

Track 09:  "I'll Never Love This Way Again" by Dionne Warwick

Even though Dionne was technically an optional choice for this exercise, like the MC5, she was a Past Nominee, so I made that the theme of this playlist.  And because Dionne was going to be an artist on this list, that almost guaranteed that there would be a slower song, a ballad, on the list.  So that's another place where the Mary J. Blige song made good sense.  This song is the big ballad number before we get to the finale, and it's a song about love that will never be supplanted, not fully.  Whether it's the first love that is special because it's the first, or it's the one that lasted the longest, or was the most fiery, or maybe all of the above, this one stands out in the narrator's mind.  Complete with a pearl of wisdom that love teaches about life, the lyrics are a lingering farewell that capture that moment when you've simultaneously let go and decided to never let go.  As a big production ballad, this showcases Warwick's musical excellence, but maybe also depicts why some may have had a difficult time checking a box for her on the ballot.  Nevertheless, as a piece of the playlist, this really sets the stage to bring the official close of the playlist on deck.

Track 10:  "If I Could Turn Back Time" by Cher

On paper, without any knowledge or input of the fan vote, Cher is the headliner of this year's class, end of discussion.  Piggybacking off the previous song, this takes the idea of never being able to love quite the same way again and amps it up by wishing to have the Time Stone and choose an alternate path.  This song has closing energy on top of that.  "I'll Never Love This Way Again" has show-stopping energy, but this song has show-ending energy, from an artist who needs no introduction.  It's also an extremely well-known song, so it closes on a familiar note.  As a point of personal commentary, this song came out when my age was still in single digits, and I grew up without MTV.  So, this wasn't and doesn't represent any kind of awakening for me; I just think it's a pretty awesome song about wanting someone back that they let go, as a good way to officially close the playlist of inductees who had been nominated at some point or another.

Hidden bonus track:  "Come Monday" by Jimmy Buffett

And there's the one that could have been a Performer, and would have done well on the ballot had they been nominated.  The whole case with Jimmy Buffett is curious, to put it generously.  As I said in my review of the past ceremony, based on the cases by the speeches, it almost would have made more sense to induct Jimmy Buffett as a Performer and Peter Frampton in Award For Musical Excellence.  But given that the ten official tracks are all by inductees that were nominated at one point, and that Jimmy never was but could have or should have been nominated, this is where he is best qualified to serve.  And I chose to use this song as the hidden bonus track for a couple reasons.  First, it has a subdued feel to it, in stark contrast to the big vibes of "If I Could Turn Back Time."  The other reason is that this song actually pairs quite well with the Cher song.  Both songs are about missing someone.  The Cher song is definitely about a breakup, while this song is a case where Buffett's writing leaves room for ambiguity, but it's almost certainly about a breakup, and not about missing someone on a business trip or serving a tour of duty.  I've taken the approach that this song is about a breakup that was so sad and tough on the narrator, that they're processing it incorrectly by deluding themselves that the loved one will be back after the weekend.  In fact, between this and the Cher song, the only real incongruity is who actually walked out the door.  Maybe he did, and in her remorse, she left, but then he came back and waits for her to return.  In any event, I felt this was a good afterthought and bonus track.

Honorable mention:  "Get Off My Cloud" by Alexis Korner

The reason why Alexis Korner gets this make-believe honorable mention spot and not Big Mama Thornton or John Mayall is because Alexis Korner had been "Previously Considered," or at least Blues Incorporated had been.  It's more thematically congruous to have Korner than either of them.  I really have nothing glowing to say.  When I listen to these fanfic playlists on YouTube, I don't include the honorable mentions.  The bonus hidden tracks are included, but not these.  But the honorable mention was a part of the Playlist Wars gestalt, so I tip my hat to them by throwing one on here.  Given the love that both Brian and Gomez have for the Rolling Stones, and how much Brian especially loves blues-rock and cover songs, it's not outside the realm of possibility that this little nugget might have cropped on one of their lists.  And with guest vocals from the improbably alive Keith Richards, it's even more fun of a reimagining for that reason.

And that wraps up this edition of "Playlist Wars: The Rock Hall Fanfic 'Episodes'."  What are your thoughts?  Would you have done this class as intentional as I did?  What directions would you have taken it?  Depending on what we get for the Class Of 2025, I may abandon such careful curation and be more sonically stochastic.  It almost feels more fun when it is, and sometimes, you just come across a song you know has to be on there, and maybe even where on the list it has to go.  That didn't quite happen this time, but I still think this is a coherent playlist.  Until next time, enjoy the tunes.